In
the article, “Deep Play: Notes on a Balinese Cockfights,” Geertz remarks on his
experience of living with the Balinese, absorbing their culture, and trying to
identify the significance of the cockfights that happen so readily there. A
remarkable style of writing is implemented that almost appears that if he is
crafting a journal entry for a local newspaper; however, it goes so much “deeper”
than just that. The entire summary of this article stems from the title,
specifically the words “ Deep play,” which branches out to describing the
cockfights; he mentions how they take on an art form in an unusual manner that
so perfectly describes the unique, and somewhat odd, culture of the Balinese.
Due
to the complexity of this article, it would be silly to try and take everything
that Geertz says for face value, behind his well sought out anthropological
arguments are “deeper” meanings. Geertz is really trying to strike chords with
the reader and get his audience to truly understand what the complex network
around the cockfight is truly a symbol. In his case it is a symbol for their
culture, even though the society functions on a full 180-degree turn from what
goes on with the fights, the connections can be made.
It
is easy to get lost in the complex wording, difficult vocabulary, and what
seems like endless footnotes; however, an astute audience can get past all that
and realize the message Geertz is convey. The Balinese culture is akin to an
art form that is the cockfight, which at first glance seems like an unreasonable
correlation, but the correlation does exist. One has to look past the strict
guidelines of the day to day social life and analyze the instance where the
rules of life fall by the way side and let the art be interpreted “deeply” to
understand them, the true point being made by Geertz.